The sincere and presumably unscripted wish: to be an artist.But all was forgiven when Katy Perry finally emerged on stage, 50 minutes later than scheduled at Manchester Arena, floating above the stage like an intergalactic princess in a giant star.Īfter a blazing June that has already seen stellar live performances from the likes of Taylor Swift and Beyonce and Jay-Z in the city, Friday night was Katy’s to claim among the flashing bunny ear brigade.Īnd claim it she did in quite spectacular fashion. She remains a fan of on-the-nose visual interpretation.)Īnd if the Mom and Pop spotlights dragged, Perry scored when she caught an endearingly low-budget shooting star (planetarium visits are going to skyrocket in the wake of this show) and called up one of her younger fans from the back of the arena to make a wish. (They got it when Perry tempted fate in an overlong Bon Appétit that had already seen her doused by salt and pepper shakers while dancers circled with room-service trays. The mad-florist section livened up considerably when Perry indulged her whimsy for the eerie E.T., sparring with a dragonfly who looked like a Beetlejuice extra as Venus flytraps stood poised for a meal. Again, a fun bit in which you could feel the energy evaporate - almost as much as it did after a poorly calculated mood swing when Perry was dwarfed by well-watered roses for a brooding Déjà Vu. “I need someone who was dragged here by all four children.” The willing volunteer ended up scoring more points with the novelty balls than the star did. The pacing sagged again when fathers got equal time near the end of the show, as the stage was transformed into a basketball court for Swish Swish. I am so grateful 👁❤️ - KATY PERRY September 20, 2017 Article content Montreal, you were beyond beautiful, an incredible reminder of how important it is to dance & sing together right now. This advertisement has not loaded yet, but your article continues below. “It’s not that easy just hopping on a planet.”) We’re working through the kinks,” she said from somewhere in the dark.
(Opening-night glitches accounted for a few other instances of dead time, notably the curiously long pause before Perry got ready to soar with Thinking of You. It was a cute, well-intentioned but poorly paced bit that, if opening night was anything to judge by, should either be tightened or given a scripted outline. Those are the terms of getting your own phone, and those are the terms of going on tour.” Cue the definitely not pre-recorded voice of Perry’s mom, who greeted the crowd in French and told a halting joke about robots loving heavy metal.
Photo by Allen McInnis / Montreal GazetteĬarrying on with Perry’s love of oversized novelty items, a cartoon phone appeared because “you can never ignore a call from your mother. Article content Katy Perry performs the opening concert of her Witness: The Tour at the Bell Centre in Montreal on Tuesday September 19, 2017.
Add the towering floppy-limbed marionettes, and Perry could have been subconsciously channelling the iconography of fellow production-design obsessives Pink Floyd and the Residents. Setting the quick-change pace, a teaser of the Witness album’s title track swiftly yielded to a pulsating Roulette, with colossal dice providing a playground for glitter-hoodied Perry and dancers whose outfits merged Alice in Wonderland surrealism with Vegas casino mascots.Īnother motif continued as the slippery bass of Chained to the Rhythm ushered in a parade of dancers with TV-eye heads (suggested alternative title - Eyeball: The Tour). After a roller-coaster panorama of the planets and cascade of dry ice established the night’s recurring deep-space theme, Perry sailed in astride a neon star, emerging through the all-seeing eye-shaped screen that frequently parted to reveal new toys.
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Not that she has forgotten how to make an entrance.
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